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Get Free Ebook Western Attitudes toward Death: From the Middle Ages to the Present (The Johns Hopkins Symposia in Comparative History), by Philippe Ariès

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Western Attitudes toward Death: From the Middle Ages to the Present (The Johns Hopkins Symposia in Comparative History), by Philippe Ariès

Western Attitudes toward Death: From the Middle Ages to the Present (The Johns Hopkins Symposia in Comparative History), by Philippe Ariès


Western Attitudes toward Death: From the Middle Ages to the Present (The Johns Hopkins Symposia in Comparative History), by Philippe Ariès


Get Free Ebook Western Attitudes toward Death: From the Middle Ages to the Present (The Johns Hopkins Symposia in Comparative History), by Philippe Ariès

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Western Attitudes toward Death: From the Middle Ages to the Present (The Johns Hopkins Symposia in Comparative History), by Philippe Ariès

Review

"Ariès traces Western man's attitudes toward mortality from the early medieval conception of death as the familiar collective destiny of the human race to the modern tendency, so pronounced in industrial societies, to hide death as if it were an embarrassing family secret." (Newsweek)"An astounding story, told with the incisiveness and mastery characteristic of Ariès's work." (Robert Darnton New York Review of Books)

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Product details

Series: The Johns Hopkins Symposia in Comparative History (Book 3)

Paperback: 128 pages

Publisher: Johns Hopkins University Press; Sixth Printing edition (August 1, 1975)

Language: English

ISBN-10: 9780801817625

ISBN-13: 978-0801817625

ASIN: 0801817625

Product Dimensions:

5.2 x 0.4 x 8 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#687,554 in Books (See Top 100 in Books)

A lot of the claims of this book have been superseded by more recent research on managing the final moments of life. I'd recommend Allan Kellehear, Atul Gawande and Joan Lynn. In terms of the medieval material, I'd encourage more specialized treatments, such as Amy Appleford's recent study on the Art of Dying. Ashby Kinch's study of the "Imago mortis" is also good (albeit specialized).

A fantastic read - both brief and accessible as well as informative and challenging. Phillipe Aries' seminal study of how the treatment of death and dying has changed dramatically in Western Civilization should provoke the reader to think about death as more than something to be avoided, but something to be anticipated.In American culture obsessed with youth, death has been shoved into the closet to be peeked at only when absolutely necessary. We deny our own mortality, hiding our advancing years with surgeries and fad diets and fashion and promiscuity. Effectively, we are completely un-equipped to handle death, whether someone else's or our own. We not only don't wish to think about it, we can't. It's hidden, and we are supposed to deny ourselves even the visible grief which a true loss of any kind merits. We are often expected to be more emotional about a damaged vehicle or a bad meal or a rude person in traffic than we are when dealing with the death of a loved one.Read and learn. Read and re-evaluate the wisdom of such intentional ignorance, and what you might wish to do differently for yourself and for those around you whenever the time comes to shuffle off this mortal coil.

Wow. This is one of those books I bought because the title sounded interesting and it's now taken up permanent space on the bookshelf nearest to my desk. A series of 4 lectures from 1973, there is a VAST amount of information and ideas contained in this tiny book.

I feel that the book is too short. In the noble attempt to give a short overview, the author touches much but leaves us feeling less informed at the conclusion than before we knew about the book's existence. Some of the criticism might be attached to the translation, so I cannot hold the author exclusively responsible.I might be inclined to read the author's larger work on the subject in order to get more in-depth and actually understand what he's trying to say. But I fear that at the end I would be left with the same unanswered questions which would just frustrate me.

Excellent book, rich in history and social facts. Should be a required reading for all interested in knowing more on the topic of dying.

This book is a classic, and it has all the merit to be one. The author did a very thorough study of how death was understood for most of history starting from earlier than the middle ages, and presents customs and points of view that one wouldn't expect of western civilization, human beings or the catholic church. Where, how and why cemeteries were built, how people thought and acted upon deathbeds and the more recent attitude towards death and its relation to hospitals are some beautiful discoveries that the author provides clearly, without pushing any of the issues at all, but definitely convincing(at least me).

Bought for a class. Such a good read though.

A good description of the ideals of death throughout the centuries. It highlights all the beliefs that people held about death.

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Western Attitudes toward Death: From the Middle Ages to the Present (The Johns Hopkins Symposia in Comparative History), by Philippe Ariès PDF
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Download Ebook The Inborn Absolute: The Artwork of Robert Ryan

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The Inborn Absolute: The Artwork of Robert Ryan

About the Author

Robert Ryan lives in Asbury Park NJ where he has been painting and tattooing for 20 years, taught in the classic traditional American style of bold line, heavy shading and solid field of color. His knowledge of Eastern Spirituality, Western Mysticism, and Amazonian Shamanism are all distilled through the filter of this powerful folk tattoo aesthetic. Robert's work has been featured in many galleries, schools, and publications world wide. As a musician he has released albums with the bands Lord Sterling, Out Like Lambs, and Harmonize Most High as well as his solo effort American Cloud Songs. Continuing to take many pilgrimages to India, Nepal and Peru, learning from Curanderos, Sadhus, Tantrics, and Monks, his work has tapped into a hidden knowledge which can only be passed down through the oral traditions and ancient practices.

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Product details

Hardcover: 160 pages

Publisher: Featherproof Books (August 9, 2016)

Language: English

ISBN-10: 1943888000

ISBN-13: 978-1943888009

Product Dimensions:

11 x 1 x 12.5 inches

Shipping Weight: 3 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#304,414 in Books (See Top 100 in Books)

I keep going back to this book for inspiration. Again and again. It’s great for tattoo artists, fine artists, spiritual seekers, or just curious minds.

Item as described

An amazing artist and thinker who is deeply interested in pattern, transcendence, spirituality and color. A beautiful book.

Great artwork, tattoos, and stories. They will be talking about this book for many generations in the industry

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Download PDF Carbonate Depositional Environments (AAPG Memoir)

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Carbonate Depositional Environments (AAPG Memoir)

Product details

Series: Aapg Memoir

Hardcover: 708 pages

Publisher: American Association Of Petroleum Geologists; First Edition edition (April 15, 1983)

Language: English

ISBN-10: 0891813101

ISBN-13: 978-0891813101

Product Dimensions:

9 x 1.8 x 11.5 inches

Shipping Weight: 6.4 pounds

Average Customer Review:

4.7 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#1,105,146 in Books (See Top 100 in Books)

Excellent book. A must in the library of any professional geologist. Book came without the dust cover, but it's the content, notthe cover that counts!

thanks

As a graduate student in clastic sedimentology, this volume has been a great resource (even though I am not studying carbonates directly).

If you need to know, this is the book. Book is basically as noted and came quickly. Price was OK too.

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Free Ebook Burn My Heart

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Burn My Heart

About the Author

South African author Beverley Naidoo was exiled from her home country when she was a student in 1965, for campaigning against apartheid. Her first children's novel, JOURNEY TO JO'BURG, was banned in South Africa when it was published in 1985 and only available there after the release of Nelson Mandela from jail in 1991. It was however published in many other countries around the world and widely praised for its eloquent, moving and accessible story. Her later novel, THE OTHER SIDE OF TRUTH, won the Carnegie Medal in 2000 and she has written many other acclaimed books for children. Beverley lives in the UK.

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Product details

Age Range: 12 - 17 years

Grade Level: 7 - 12

Paperback: 224 pages

Publisher: Puffin; UK ed. edition (August 28, 2007)

Language: English

ISBN-10: 0141321245

ISBN-13: 978-0141321240

Product Dimensions:

5 x 0.6 x 7.8 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#1,807,292 in Books (See Top 100 in Books)

I read this because it was on the list of recommended reading for the 7th grade NYS curriculum. I enjoyed it and felt it tied nicely to "A Long Walk to Water" (which is required reading). It was a bit of an easier read compared to other books in the 7th grade curriculum and would engage a struggling reader.

The condition of the book was expected (some folds and wear). However, when I opened the package, there was a strong stench. I had to air it out before I could actually go near it.

Mathew and Mugo are friends. Mathew is white, and Mugo is black, working in the kitchen of Mathew's parents in Kenya. Their story is set during the troubled 1950s known as "The Emergency" by the British colonialists. Mugo is frequently responsible for the younger boy even though he has slight control over him. Mathew knows little of the troubles between the races, and has his mind set on adventure. He gets more than he bargained for when he slips through a gap in the new fence his father has built around their property, forcing Mugo to follow him into the bush in order to protect him.Mugo is a well-intentioned boy, who, through no real fault of his own, ends up on the wrong side of his father, Mathew's father, and the Kikuyu fighters known as the Mau-Mau. When his immature friend starts a fire for which he is afraid to take responsibility, Mugo and his father are blamed, tortured, and imprisoned. Mugo and his family suffer injustice at every turn and are ultimately deported with Mugo realizing that he is now responsible for his family. The author tells the stories of the two boys in alternating chapters. She captures the thoughts and emotions of both, especially Mugo, who suffers to the extent that his heart burns within him. Justifiably.

"Mugo knew the story of his grandfather's adventuring spirit. When Baba was a little boy, Grandfather had gone away to Nairobi. He found work with the British army, and when a big war started between the British and Germany wazungu [white people], Grandfather went to help carry the wounded soldiers."However, when Mugo's grandfather was away from home, a family of wazungu had arrived in an oxcart. The mzungu man, the head of this family, had a piece of paper called 'proof.' It said that he had paid money for this land and that now it belonged to him! Grandfather's younger brothers had protested that there must be a mistake. They showed the mzungu man the place where their ancestors were buried near the grove of sacred mugumo trees. This was their land, their sacred place. Their family had lived here under their mountain Kirinyaga for generation after generation. But the mzungu man insisted that the 'proof' of his ownership was on his piece of paper. He would let them stay on the land if they helped him build a house, clear away brush, and work on what he called 'his farm.' Mugo's family had been stunned. There was no choice but to work for the new wazungu. This was how Baba first began to herd cattle for the Grayson family when he was not much higher than his mother's hip."Decades later, when the story begins, it is 1951 in Kenya. Baba is an adult (and father) in charge of the stables. He has spent his life here, next to the mzungu man's son Jack Grayson, who has grown up to become the bwana [master]. Just as his father had been with Jack Grayson, young Mugo has been a big brother figure to the slightly younger Matthew Grayson.Tensions are rapidly mounting in 1951 Kenya. The British colonialism does not permit any sharing of power with the native Kenyans. The decades of frustration experienced by the Kenyans have led to the political movement called the Mau Mau, a secret society "whose members took oaths and swore to fight unto death to get back their land." It is amidst this dramatic historical setting, and between the white boy's family and the black boy's family, that suspicion, treachery and deceit will lead to heartbreak, torture, and tragedy. (And you know very well who is going to get the bitter end of this deal.)"Mugo looked up to see the pistol pointing at them."Told in alternating chapters by the two teen characters who have grown up like brothers, the two hundred tensely engaging pages of BURN MY HEART make for a perfect introduction to British colonialism. I sure wish I had eye-opening books of this quality when I was in ninth grade, trying to make sense of the diversity of African geography and cultures, and the history that connects this tale to crises and issues in various corners of that continent today. And I'd love to listen in as readers debate which of these characters deserve what praise and blame for what takes place, given that all of the young characters have been born into an existing, unconscionable system.

Eleven-year-old Matthew Grayson and thirteen-year-old Mugo are more than best friends. Together, they have adventures in the Kenyan bush with Matt's trusty dog, Duma. Kenya in the 1950s seems like the perfect playground.There are elephants, impalas, and hyenas that live in the acres and acres of "Grayson Country," land that Matt's grandfather bought from the British government. Mugo and his family are Kikuyu, native Kenyans who have lived on the land for as long as anyone remembers, and now work as servants. While Matt and Mugo's friendship crosses social, economic, cultural, and racial barriers, the political atmosphere pushes it to a breaking point as their differences increase in number and severity.In BURN MY HEART, Beverley Naidoo crafts a story about how fear can destabilize the strongest friendships. The escalating conflict between British settlers and a group Kikuyu call the Mau Mau is told through the tight lens of the two boys.While she voices both political sides and reveals problems of both the British settlers' treatment of the Kikuyu and the Mau Mau's destructive and coercive methods for unity, readers will be as torn as Matthew and Mugo in choosing sides. Matt's friend, Lance Smithers, is charismatic and fun, but, like his father, views the Kikuyu as sub-human. Likewise, Mugo watches as people he admires and respects join the Mau Mau.This novel transcends its historical context. Naidoo creates characters that are faced with difficult choices, but it never seems like they are examples in a social science lesson. Readers with find her characters at times frustrating, but it is satisfying to experience how they mature and change. The author is particularly successful in not only showing how hard it is to make the right decision, but also the difficulties of determining what is right and wrong.BURN MY HEART is a compelling novel. Five stars.Reviewed by: Natalie Tsang

This is a story of two friends that are members of two very different groups, who are together until the accusations start. A good read, couldn't put it down.

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